German Shepherd – Merry Woofmas Christmas Sweater

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But despite a VIP roster featuring both Gigi and Bella Hadid, Precious Lee, Irina Shayk, and more, La Greca is the German Shepherd – Merry Woofmas Christmas Sweater in addition I really love this true star of the virtual presentation. It surfaces as bags. As clothes. As tights. It’s everywhere, furthering the plot point of Versace positioning itself as an atelier with history in the making. The clothes carry the thread with vintage-inspired clothes in the form of ’70s sweater vests, disco collars, and retro tights encasing legs in La Greco’s geometric print. The Versace of yore still remains, with chest-baring tops fit for open heart surgery and a distinct and furtive effort to raise mid-rise awareness, a skirt rise often forgotten. The introduction of La Greca forges a new path for Versace, but it doesn’t discount its brand DNA of smoldering sex appeal and an unapologetic sense of self. As she noted, “this is what the present and future look like to me.”

Valentino will debut its fall-winter 2021 collection presented at the German Shepherd – Merry Woofmas Christmas Sweater in addition I really love this Teatro di Milano live on March 1st at 8am EST. We’re all watching this from home, so consider this our collective front row seat. For a creative director whose stylings generally land squarely in the future, it would seem Nicolas Ghesquière was focused on a much more contemporary issue this season: American politics. And yet, the first look to hit the runway featuring “Vote” across the chest was both a nod to Election Day as well as forward momentum into life after November 3rd. The collection’s Jane Jetson silhouettes and modular accessories hastened a glimpse at what we’ll be wearing come spring. When every brand is redefining what fashion means in a world mid-pandemic and reckoning with racial justice, not only does the runway require proper social distance, but designers to distance themselves from the past. According to Louis Vuitton’s show notes, the collection was “a sensitive zone that erases gender and promises exponential creative possibilities.” Ghesquiére admitted that this is just the beginning of exploring non-binary designs at the famed Parisian house. He posed the questions: “What does an in-between garment look like? What kind of cut can dissolve masculine and feminine? What wardrobe might s/he look good in?” In his journey to create a fluid collection, he pulled heavily from skate culture, both literally—the actual word was tagged across more than a few shirts—and figuratively. Baggy pants were cinched at the waist, not unlike actual skaters who string their trousers up with shoelaces, utility jackets reminiscent of Carhartt hoodies were tossed over slinky dresses, and shorts were cut at the knee in racy graphic prints, akin to something you’d spot on teenagers hanging around the outskirts of Tompkins Square Park.

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